

Lakecia Benjamin
Underwritten in part by Michael and Marjorie Lipson
Some artists perform concerts. Lakecia Benjamin creates an experience fueled by fearless improvisation, irresistible groove, and an infectious joy that transforms the room from the very first note.
At La Rosa, audiences will experience the artist for which she has become internationally celebrated: a commanding live performer whose soaring saxophone, boundless energy, and magnetic connection with both her band and the audience make every performance feel spontaneous, deeply personal, and impossible to predict. Rooted in jazz while embracing soul, funk, and hip-hop, her music moves effortlessly between exhilarating virtuosity and moments of remarkable emotional depth.
The intimate atmosphere of La Rosa provides the perfect setting to experience Benjamin’s extraordinary artistry up close. Every performance becomes a conversation—between musicians, between traditions, and between artist and audience—creating the kind of unforgettable evening that reminds us why live jazz remains one of music’s most thrilling art forms.
“…one of jazz’s foremost artists.”
— The New York Times
“This one will appear on many best-albums-of-the-year lists… It’s just that good.”
— DownBeat
Lakecia Benjamin


The success of her most recent releases, 2023’s Phoenix and 2020’s Pursuance: The Coltranes, positioned Benjamin among jazz’s most celebrated recording artists: In addition to absolute raves in outlets like The New York Times, The Guardian and DownBeat, she received three Grammy nominations for Phoenix, as well as an NAACP Image Award nomination for Outstanding Jazz Album. Earlier this year, she was named Alto Saxophonist of the Year by the prestigious Jazz Journalist Association.
And yet — the ever-rising star from Washington Heights remains, at her core, an improviser best experienced in her soul-stirring concerts. Each and every time she hits the bandstand, she takes her repertoire, and her wide-ranging audience, to sublime new planes. And her message — of spiritual uplift, of social and political liberation — soars higher still.
Given Benjamin’s personal story over the last few years, her live dates are nothing short of life-affirming. In 2021, she was involved in a car accident that resulted in more than one potentially career-ending injury: Benjamin broke her jaw, shoulder blade and ribs, and ruptured an eardrum, among other wounds. Today, she’s regained her confidence and physical strength, and embraces whatever limitations her accident may have engendered. She also realizes she has decades more music and travel to go. “I don’t think about the accident anymore. Some people might see my shows now as a victory lap, because inspiration comes in multiple forms,” Benjamin says, “but I really feel I’m still learning. I’m trying to get uncomfortable. I’m trying to grow. I’m trying to play better.”
Benjamin’s new album, Phoenix Reimagined, focuses on the music from her acclaimed Phoenix project and adds three new songs. It was captured live-in-studio at Brooklyn’s the Bunker — a great-sounding space whose alumni include everyone from Brad Mehldau to Bang on a Can to the Black Keys. Combining the spontaneous magic of a live LP with the crisp, crystalline audio that only a world-class studio can deliver, Phoenix Reimagined illustrates that vibrant togetherness between Benjamin and her live listeners. In the case of the Bunker show, that meant pretty much anyone who adores music as much as she does. “I was like, you know what? Let’s celebrate life. Let’s celebrate everything. I’m going to invite everybody to this studio,” Benjamin recalls with a chuckle. “The studio personnel were lucky I didn’t just open the door!” The atmosphere took the saxophonist back to her earliest years hitting the NYC jam-session scene: the heat, the camaraderie, the competition, the hard-earned lessons. “It just reminded me why I love music,” she says.
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